The printer was C.G. Röder of Leipzig, Germany. Walch's agent in London sent them 12 cards from the 1904 Wide Series which were in b&w, and another set of these hand coloured. The printer wasn't impressed and wrote back to the London agent. The London agent wrote to Hobart:
One of the cards that was sent to the printer was this one, below:The German printers tell me that they cannot produce good work from these photos as the coloring is too crude They are however making a coloured drawing of one or two views and will submit a proof to give me a quotation.
After Röder's artist had spruced it up, it had become a beautiful summer view, not the drab winter scene with bare tree that had been provided:
The buildings and fences are all as in the b&W cards, but they provided lush foliage instead of the bare branches. And a beautiful summer sky with fluffy clouds!
In 1905, colour photography was 30 years in the future. The practice was to send the printer b&w cards or photos, and the printer's artists created coloured printing plates by hand. This allowed much scope for improving the picture, or changing it completely as in this case.